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Saturday, October 17, 2026
Chronicle Urban UK

Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Sceptical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it results in a hilariously staged chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.

The writer

Jacob Mcdonald

Elara Vance is a freelance journalist and urban studies enthusiast, focusing on sustainable city development and cultural narratives across the UK.

Chronicle Urban UK

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